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• Tayfun Pirselimoğlu

Really, What's Going On?

The man, whose mind is at a loss to make sense of the strange events unfolding, asks the person who might be a “savior,” “Really, what’s going on?” (Roadside, 2017) In this world where meaning has evaporated, where everything is immanent in everything else, where nothing is anything, and where a contagious absurdity gallops full tilt—in these restless, strange times when we’re caught in the turmoil of a past that won’t let us go and a future that won’t come to us—Tayfun Pirselimoğlu asks the same question again: Really, what’s going on?

Works

Tayfun Pirselimoğlu
PLEASE, TAKE A ROSE., 2026
Ink on paper, 50 x 35 cm.

Tayfun Pirselimoğlu
MAN WITH A CIGARETTE 1, 2026
Ink on paper, 33 x 23,5 cm.

Tayfun Pirselimoğlu
WHAT I MEAN IS, 2026
Mixed media, 50 x 27 cm.

Tayfun Pirselimoğlu
CHAOS 1, 2026
Ink on paper, 50 x 30 cm.

Tayfun Pirselimoğlu
CHAOS 2, 2026
Mixed media on cardboard, 67 x 13,5 cm.

Tayfun Pirselimoğlu
ATTACK 1, 2026
Ink on paper, 29,5 x 50 cm.

Tayfun Pirselimoğlu
CHAOS 2, 2026
Mixed media on cardboard, 50 x 25,5 cm.

Tayfun Pirselimoğlu
CHAOS 3, 2026
Ink on paper, 46 x 50 cm.

Tayfun Pirselimoğlu
I REALLY DON’T UNDERSTAND, 2026
Mixed media on paper, 53,5 x 31,5 cm.

Tayfun Pirselimoğlu
MAN WITH A CIGARETTE 2, 2026
Mixed media on cardboard, 38 x 26,5 cm.

Tayfun Pirselimoğlu
RHINOCEROS 1, 2026
Mixed media on cardboard, 30 x 32 cm.

Tayfun Pirselimoğlu
MAN WITH A CIGARETTE 2, 2026
Mixed media on paper, 23,5 x 31 cm.

Tayfun Pirselimoğlu
MILITARY PARADE, 2026
Ink on paper, 35 x 47 cm.

Tayfun Pirselimoğlu
ACTUALLY, I… ", 2026
Ink on paper, 50 x 24 cm.

Tayfun Pirselimoğlu
ATTACK 2, 2026
Mixed media, 29 x 48 cm.

Tayfun Pirselimoğlu
I HAVE ROSES., 2026
Mixed media on cardboard, 50 x 30 cm.

Tayfun Pirselimoğlu
GIVE ME SOME COMFORT, 2026
Mixed media on paper, 44 x 31 cm.

Tayfun Pirselimoğlu
MAN WITH A DOG, 2026
Mixed media on paper, 54,5 x 38 cm.

Tayfun Pirselimoğlu
RHINOCEROS 2, 2026
Mixed media on cardboard, 54 x 36 cm.

Tayfun Pirselimoğlu
SOMETHING STRANGE HAPPENED AGAIN TODAY., 2026
Oil on canvas, 80 x 65,5 cm.

Tayfun Pirselimoğlu
HERR BECKMANN’S MEMORY OF ISTANBUL, 2026
Acrylic on canvas, 70 x 50 cm.

Tayfun Pirselimoğlu
FLORAL EXCELLENCY, 2026
Oil on canvas, 120 x 50 cm.

Tayfun Pirselimoğlu
WHAT WILL BECOME OF THIS COUNTRY?, 2026
Oil on canvas, 120 x 50 cm.

Tayfun Pirselimoğlu
THIS OCCUPATION WILL NOT END, 2026
Mixed media on paper, 41 x 69 cm.

Tayfun Pirselimoğlu
THE REAL CHAOS, 2026
Mixed media on paper, 62 x 97,5 cm.

Tayfun Pirselimoğlu
WHAT’S THERE?, 2026
Oil on canvas, 90 x 110 cm.

Tayfun Pirselimoğlu
ANXIOUS EXCELLENCY, 2026
Oil on canvas, 90 x 41 cm.

Tayfun Pirselimoğlu
KING OF ARABESQUE, 2026
Oil on canvas, 90 x 70 cm.

Tayfun Pirselimoğlu
MONSIEUR LOTI WITH A DOG, 2026
Oil on canvas, 120 x 80 cm.

Tayfun Pirselimoğlu
HERR BECKMANN, 2026
Oil on canvas, 96 x 64 cm.

Tayfun Pirselimoğlu
I WAITED, BUT YOU DIDN’T COME, 2026
Oil on canvas, 103 x 77,5 cm.

Tayfun Pirselimoğlu
THIS WAR WILL NEVER END, 2026
Oil on canvas, 50 x 140 cm.

Tayfun Pirselimoğlu

Born in Trabzon. Pirselimoğlu graduated from Middle East Technical University after which he went to Vienna and enrolled at Hochschule für Angewandte Kunst where he studied under Professor Wolfgang Hutter, one of the most important names in the Vienna School of Fantastic Realism. He also studied engraving under Professor Sigi Schenk.

Pirselimoğlu held various solo and joint exhibitions in Turkey and abroad. His drawings have been published in a number of magazines. He is one of the founders of the independent art initiative ‘Akademie Genius’ where he has conducted workshops and given classes.

Pirselimoğlu wrote and directed the films ‘Innowhereland’, ‘Rıza’, ‘Haze’, ‘Hair’, ‘I’m not Him’, ‘Sideway’ and ‘Kerr’. He was also nominated for an Oscar for the movie 'Kerr'. He is the author of seven novels (‘Tales from the Desert’, ‘The Album of the Lost People’, ‘Melancholy’, ‘Towers of the City’, ‘Kerr’, ‘Barber’, ‘Surveyor’) and three story books (‘Hotel Rooms’, ‘The Newest Lives of Harry Lime or Praise to the Third Man’, ‘The Other Side of the Desert’)