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Viewing Room

• Hari Arabyan • Hakan Cingöz • Onur Dal • Melisa Engineri • Gökçe Er • Sercan Filiz • Andreas Georgiadis • Nihal Gündüz • Nur Gürel • Ersin Gürtel • Gülercan Hacıoğlu • Serra Kuşkaya • Sema Maşkılı • Maria Roza • Coşkun Sami • Yonca Saraçoğlu • Sevgi Yanar

Hinterland

Works

Andreas Georgiadis
The Afternoon Sun, 2019-2022
Ink on paper, 61 x 46 cm

Coşkun Sami
Mes nuits sont plus belles que vos jours I, 2024
Acyrlic on canvas, 50 x 50 cm

Coşkun Sami
Mes nuits sont plus belles que vos jours II, 2024
Acrylic on canvas, 50 x 50 cm.

Ersin Gürtel
Walking Distance, 2024
Acrylic & mixed media on handmade paper (by artist), 40 x 40 cm.

Ersin Gürtel
Monday, 2024
Acrylic & Mixed media on handmade paper (by artist), 40 x 40 cm

Ersin Gürtel
I Couldn't Love July, 2024
Acrylic & Mixed media on handmade paper (by artist), 40 x 40 cm

Ersin Gürtel
Bodrum Coincidence, 2024
Acrylic & Mixed media on handmade paper (by artist), 40 x 40 cm

Ersin Gürtel
Beyoglu Lies, 2024
Acrylic & Mixed media on handmade paper (by artist), 40 x 40 cm

Ersin Gürtel
Over My Anger, 2024
Acrylic & Mixed media on handmade paper (by artist), 40 x 40 cm

Gökçe Er
Two parts in one body, 2018
Oil on canvas, 100 x 150 cm.

Gülercan Hacıoğlu
Time, Devouring Everything, 2024
Mixed media on canvas, 147 x 147 cm.

Gülercan Hacıoğlu
Acrophobia, 2024
Mixed media on canvas, 125 x 150 cm.

Gülercan Hacıoğlu
Tina and Andy, 2024
Mixed media on canvas, 65 x 80 cm.

Gülercan Hacıoğlu
Untitled V, 2024
Ink on paper, 51 x 69 cm.

Gülercan Hacıoğlu
Untitled XV, 2024
Ink on paper, 21 x 15 cm.

Hakan Cingöz
Untitled, 2022
Oil on canvas, 81 x 130 cm.

Hari Arabyan
Portrait, 2022
Glass and Leaf Gold, 10 x 19 x 35cm.

Hari Arabyan
For My Son, 2023
Glass and metal, 18 x 45 x 32 cm.

Maria Roza
A Safe Space At Where The Monumental Frames Are, 2022
Oil on canvas, 87 x 87 cm

Melisa Engineri
Acem Kapısı, 2023
Free-hand shaping, Sinter lining, Porcelain object, 41100 C., 5 x 30 x 10 cm.

Nur Gürel
Overview to Home, 2009
Mixed media on canvas, 300 x 100 cm (triptic)

Nur Gürel
Collage3, 2012
Mixed media on canvas, 54.7 x 23 cm

Nur Gürel
Good Enough, 2014
mixed media on canvas, 300 x 100 cm (triptic)

Nur Gürel
Poplars, 2015
Mixed media on canvas, 115 x 175 cm.

Nihal Gündüz
BenKus 1, 2024
FineArt Print, 80 x 80 cm., Ed. 1/7

Onur Dal
JUSTICE, 2023
Material: concrete, 44 x 17 x 7 cm.

Onur Dal
"Yazı", 2023
Mixed media on canvas, 100x70 cm.

Sercan Filiz
Bilge, 2024
Free hand shaping, scraping technique, sinter primer, 65 x 40 x 12 cm.

Serra Kuşkaya
Barrier, 2021
Acrylic on canvas, 25 x 25 cm.

Serra Kuşkaya
Emptiness, 2021
Acrylic on canvas, 25 x 25 cm.

Serra Kuşkaya
After the Storm, 2021
Acrylic on canvas, 25 x 25 cm.

Serra Kuşkaya
Tide, 2021
Acrylic on canvas, 35 x 35 cm.

Serra Kuşkaya
Journey, 2021
Acrylic on canvas, 35 x 35 cm.

Serra Kuşkaya
Untitled, 2023
Oil on cardboard, 41 x 27,5 cm.

Sema Maşkılı
Breathe, 2024
Oil on paper, 140 x 85 cm.

Sema Maşkılı
Untitled, 2024
Watercolor on paper, 32 x 42 cm.

Sema Maşkılı
Infinity, 2024
Oil on cardboard, 41 x 27,5 cm.

Sevgi Yanar
Comfort Zone, 2022
Glass fusion, 80 x 60 cm.

Yonca Saraçoğlu
Lovers, 1996
Oil on canvas, 80 x 90 cm.

Hakan Cingöz

Born in 1977, the artist graduated from Mimar Sinan Fine Arts University, Department of Painting in 2004 and attended the Lithography Workshop at the same university between 2005-2008. In 2008, he completed his master's degree at MSGSU Institute of Social Sciences, Department of Painting. In 2004, he won the first prize in the "İpek-Ahmet Merey Painting Competition" and in 2007 he won the "Nuri İyem Painting Award".

Since 2009, the artist has participated in many solo and group exhibitions and currently lives and works in Istanbul.

Andreas Georgiadis

Andreas Georgiadis was born in 1972 in Thessaloniki. He lives and works in Athens. He studied painting under George Rorris, graphic design at the School of Graphic Arts and Artistic Studies in Athens and illustration in Orleans, France. He has had 13 solo art exhibitions in Greece and overseas and received major distinctions. His works have been acquired by museums, public and private collections, and have illustrated books and records. As a set designer he has helped design the B. and E. Goulandris Foundation as well as many exhibitions at the Gennadius Library, the Museum of Cycladic Art, the Benaki Museum and elsewhere. He also works in theatre as a set and costume designer. He heads the art team of Mikri Arktos publications.

Nihal Gündüz

Lives and works in Istanbul. Graduated from the Photography Department of the Fine Arts Faculty at Mimar Sinan University in 1996. Completed her master's degree in Photography at Marmara University in 1999 and then began working professionally in the fields of advertising and fashion. While continuing to work in advertising and fashion, she also teaches Fashion Photography at Yeditepe University's Faculty of Fine Arts.

Nur Gürel

Nur Gürel completed bachelor`s degree at Mimar Sinan Fine Arts University, Department of Painting in 2004, and her master`s degree at the same school in 2007.
Nur Gürel deals with all the impositions that turn society into a consumer society and their consequences. The biggest instrument in this regard is manipulation. While in previous works, wallpapers with landscape images used for decoration were used as materials, later photographs, magazines, posters and billboard advertisements were also included in these ready-made visual images. She aims to create tension in her works by using contrasts such as inside-outside, photography-painting, digital print-painting, city-forest, thin-fat. She intervenes in the image , not digitally, but with a particularly primitive sensitivity. In this way, the sterilized advertising language is broken and becomes natural. Topics vary depending on what is intended to be manipulated

Ersin Gürtel

Born in 1979 in Eregli, lives and works in Istanbul. After graduating from Marmara University, Faculty of Fine Arts, Painting Department, he completed her master's degree at the same university.

Gürtel prioritizes figurative compositions in his paintings and paints them with a special technique. In his works, he portrays the good, bad, dark and light features of human beings in different techniques, as well as questioning social roles, identities and cultural structure.

Gülercan Hacıoğlu

1960, Bulgaristan doğumlu. 1989 yılında Sofya Ulusal Sanat Akademisinden mezun oldu. 1995-1997 yılları arasında Mimar Sinan Güzel Sanatlar Üniversitesi Resim Bölümü’nde yüksek lisansını tamamladı.

Serra Kuşkaya

Serra Kuskaya was born in Istanbul in 1992. After graduating from Istanbul Avni Akyol Anatolian Fİne Arts High School Painting Department, she continued her education at Mimar Sinan Fine Arts Universty Painting Department, and after spending a period of her education at Complutense Universty of Madrid by participating in the Erasmus programme, she complated her undergraduate education in 2015.

She contiues her works in her studio in Fethiye.

In her productions, the artist confronts the nature that has been destroyed by human beings as a result of the destructions created by human beings reflections of inadequacy and helplessness in the effort to adapt. With human waste and artefacts that will take thousands of years to disappear, the ephemerality of our existence and scenes that tell us about the permanence of our traces.

Sema Maşkılı

1980, Edirne. Lives and works in İstanbul, TR. Sema Maşkılı, who completed her undergraduate and graduate education at Mimar Sinan University, Department of Painting, has participated in many group exhibitions held both domestically and internationally since 2001. Since 2006, she has held five solo exhibitions, focusing on the concepts of violence, existence, and ego using the human body in her works and questioning the complexity of human nature through these concepts.

Maria Roza

Born in Baku in 1998, lives and works in Ankara. After graduating from the Fine Arts High School of Ankara, she studied at Hacettepe University Painting Department and graduated with a degree. Recently, she completed her Master of Fine Arts at the same university.
The young artist focuses in her works on the relationship humankind has with animals and with primitivity, and on the structural and functional features of these relations. What she aims for is to make her audience feel the uncanny atmosphere in her works and still provide them with a safe harbour by nesting them in the pleasing harmony and aesthetics of the paintings.

Coşkun Sami

b. 1973, Bulgaria, currently working in Istanbul, Turkey. Sami‘s paintings often incorporate architectural and historical references, while maintaining an affinity for the templates of formalist painting. His limited colour palette supports his drawing-based process, making visible an effort towards achieving pictorial and formal values. Sami‘s paintings demonstrate a nuanced blend of stylistic elements, as he navigates the space between expression, figuration and semi-abstraction. He often incorporates architectural and historical references into his work, such as abandoned buildings from the recent past, stripped of their context and historical specificity, resulting in anonymous and depoliticized homogeneous spaces. His use of muted, earthy tones creates a sense of timelessness and universality, while his brushwork and mark-making imbue the works with a sense of immediacy and urgency. Sami‘s paintings often feature a horizontally-based perception of time, with objects, rocks, organic matter, and voids occupying the same space, with interplays between light and shadow.

His practice explores the power of memory and its potential to resurge or transfigure itself into new conglomerations and physical entities, and is fuelled by an interest in the collective traumas caused by war, displacement and totalitarian regimes, abiding by a certain strain of thought within European post-war painting. Through his attempts to engage with fading or vanquished historical memory, Sami investigates the contradictions that the modernist project in all its aspects has brought, exploring collective memory as a form of storytelling by employing references and motifs of modernity, progress, regress, and the grand narratives of the past and approaching memory as a phenomenon that is intangible and abstract. In some of his paintings, he illustrates how the political is reduced to its grotesque dimension, with power struggles, flag-waving, and the reselling of imaginary dreams. His work engages in a hauntology research of its own, exploring how the agendas of contemporary societies are shaped by ghosts of the past.

Yonca Saraçoğlu

Born in Ankara. Graduated from St. Joseph High School, Istanbul. After graduating from State Academy of Fine Arts, Sculpture Department settled in Paris in 1988. Studied at Sorbonne French Language and Civilization Department. Began to study painting, made vocational made trips to various European countries. Returned to Turkey in May 1991. After a happy period of intensive photographing discovered Istanbul and decided to create her own artistic universe. Works in her own studio in Cihangir, Istanbul. Saraçoğlu sees art as an inner transformer, a way of loving life and beings, and a state of resistance.