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• Yağızhan Çalışkan

Fractus

The exhibition titled “Fractus” includes works from a three-year working process.
- What is natural?
-What is your nature?
In the exhibition where questions such as “God is inherent in nature” are answered within the space created by Spinoza's word “God is inherent in nature”, The place where people position themselves against nature and the dogmatic information that creates the clarity of this place are questioned.

Works

Yağızhan Çalışkan
Fractus 26, 2022
Mixed media on canvas, 70 x 50

Yağızhan Çalışkan
Fractus 25, 2022
Mixed media on canvas, 70 x 50

Yağızhan Çalışkan
Fractus 24, 2022
Mixed media on canvas, 70 x 50

Yağızhan Çalışkan
Fractus 23, 2022
Mixed media on canvas, 100 x 70

Yağızhan Çalışkan
Fractus 20, 2021
Mixed media on canvas, 70 x 50

Yağızhan Çalışkan
Fractus 19, 2021
Mixed media on canvas, 70 x 50

Yağızhan Çalışkan
Fractus 18, 2021
Mixed media on canvas, 70 x 50

Yağızhan Çalışkan
Fractus 7, 2020
Mixed media on canvas, 25 x 75

Yağızhan Çalışkan
Fractus 5, 2020
Mixed media on canvas, 70 x 50

Yağızhan Çalışkan
Fractus 4, 2020
Mixed media on canvas, 70 x 50

Yağızhan Çalışkan
Fractus 3, 2020
Mixed media on canvas, 70 x 50

Yağızhan Çalışkan
Fractus 2, 2020
Ink on paper, 70 x 50

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Fractus 1, 2020
Composite on paper, 57 x 46.5 cm

Yağızhan Çalışkan

Born in Ankara in 1992, the artist is currently working in Istanbul. After graduating from Ankara Anatolian Fine Arts High School in 2010, he completed his undergraduate education with a full scholarship in Plastic Arts and Painting Department at Yeditepe University, Faculty of Fine Arts. He completed his master's degree at the same university and started his Art Proficiency Doctorate program in the Painting Department at Marmara University in 2019, where he is still continuing his studies. He also works as a research assistant at Yeditepe University.

The young artist examines the relationship between human beings and nature on an existential level. With a multidisciplinary approach, the artist, who works in different production areas, sees human creation as nature's effort to understand itself. In his works, without establishing a relationship between time and space, he questions the sharpness of the artificial-natural distinction of human beings and the dogmatic attitude towards nature that develops from this sharpness.